This collection recounts a series of serendipitous encounters I had on my way to becoming a filmmaker. Such a career was not on the list of what a woman could be in the sixties. There was no film school or #metoo movement to suggest that my talent was worthy of attention; that it could provide a viable living; that I could be a visual artist, a writer, or a performer of any kind and not be a burden and a disappointment to my widowed mother. To follow my fancy would have been seen as a selfish thing to do.
But my passion was repeatedly stirred by unexpected challenges, by people who saw me more clearly than I saw myself. It was when I took risks, or remained open to possibilities, listened to my own rhythm, that my muse would suddenly be there and alter my course. It was not always through a person, though when it was it was never someone I would have expected. There were times when my muse was invisibly at work, provoking me, setting up obstacles, surprising me, triggering some magic, seducing me with the possibility that I could live with purpose, doing something I loved.