Fifteen-year-old Rick Hansen is confident, outgoing, and the star of his high-school basketball team. He has his whole life planned out, until a tragic accident severs his spinal cord, leaving him in a wheelchair. Rick's accident forces him to adapt his positivity to deal with his new life, while helping to strengthen the relationship with his guilt-stricken best friend. Refusing to be put at a disadvantage, Rick conquers the challenges presented to him with a smile and changes the definition of what it means to be disabled. Based on the true story of the man who inspired millions with his Man In Motion World Tour, Rick is a triumphant play that showcases the importance of optimism and perseverance, encouraging audiences to make their own paths to change the world.
Dennis Foon was co-founder of Vancouver's acclaimed Green Thumb Theatre and served as artistic director for twelve years. As a playwright, his body of plays continues to be produced internationally in numerous languages and he has received the British Theatre Award, two Chalmers Canadian Play Awards, the Jesse Richardson Career Achievement Award, and the International Arts for Young Audiences Award. In 2007 he was made a lifetime member of the Playwrights Guild of Canada for his "outstanding contribution to Canadian Playwriting and Theatre." He's won a Gemini, two WGC Awards, three Leos, and a Robert W. Wagner Award for his screenplays, which include Little Criminals, White Lies, Torso, and Terry. He is also the co-writer of Long Life, Happiness and Prosperity, and A Shine of Rainbows, which won a Leo and received a Genie Nomination for Best Adapted Screenplay. He wrote the screenplay for the feature Life Above All, Prix Fran?ois Chalais winner at the 2010 Cannes Film Festival, 2011 Academy Award Shortlist for Best Foreign Language Film, and a Leo winner for Best Screenplay. His novel Skud (Groundwood Books, 2003) received a BC Book Prize, and his sci-fi/fantasy trilogy, The Longlight Legacy, has been published in five languages.
"Young people's theatre doesn't get more meaningful than this."—Morley Walker, The Winnipeg Free Press
"Everything about Rick just feels right… A shining example of theatre for young audiences." —Peter Birnie, The Vancouver Sun
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