Yejide Kilanko’s A Good Name is a layered, fast-paced, and emotionally complex novel. Written in a beguilingly accessible language, it brims with dramatic surprises. It is a much-needed and quite engaging contribution to the conversation around the cultural and other forces that shape the immigrant experience.

While never losing sight of her characters' radiant humanity, Kilanko writes about the consequential weight of cultural expectations with a beauty and insight that is both profound and universal.

In a word, this narrative is as authentic as it gets. The author’s skillful use of dialogue, adorned with a host of Nigerian words, also draws in the readers, even before looking up their meanings in the book’s glossary. The frequent use of hyperboles and exalted language is deftly done, perhaps because of their novelty

With a steady and skillful hand, Yejide Kilanko has built an achingly human narrative that interrogates the ways men and women are bound by tradition, culture, family, and each other. Much like Buchi Emecheta's classic The Joys of Motherhood, Kilanko offers an unsparing depiction of disappointments, large and small, and the very human choices that compound or alleviate them. At each turn, Kilanko invites us to ask ourselves how we might respond in similar circumstances. Much like Tayari Jones' much-lauded Silver Sparrow and An American Marriage, the characters and their conundrums haunt you when the story ends. You leave unsettled by the injustice of unfairness, deeply wishing the characters had chosen another way.