Blood Belies

contributions by Ellen Chang-Richardson

tagged: lgbt, chinese, canadian

Description

In this arresting debut collection Ellen Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as she brings her father’s, and her own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, Blood Belies takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope?

About the Author

Ellen Chang-Richardson is an award-winning poet of Taiwanese and Chinese Cambodian descent whose multi-genre writing has appeared in Augur, The Fiddlehead, Grain, Plenitude, Watch Your Head: Writers and Artists Respond to the Climate Crisis, The Spirits Have Nothing to Do with Us: New Chinese Canadian Fiction and others. The co-founder of Riverbed Reading Series, they are a member of Room’s editorial collective, long con magazine’s editorial board and the creative poetry collective VII. They are represented by Tasneem Motala at the Rights Factory and currently live on the traditional unceded territory of the Algonquin Nation (Ottawa, Canada).

Editorial Reviews

"In this singular collection, Chang-Richardson scores the page with line, punctuation and blank space to hold a range of experiences: family and national histories, racism, illness and injury."

— Winnipeg Free Press

"A debut collection from Ellen Chang-Richardson, 'Blood Belies' is daring in its expansiveness. The poems ask, and create space, for contemplation, questioning, frustration, and ultimately awareness, examining systemic and institutional racism (the “polite/hypocrisy/of Canada”) and personal and familial trajectories. . . . The poems are terrific in their untethered-ness, using experimental forms, supple rhythm, and fervid language play . . . to unwind the mind."

— Toronto Star

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Blood Belies

contributions by Ellen Chang-Richardson

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