New ebooks From Canadian Indies
Description
Employing a sort of leaping or mosaic structure and incorporating e-mails re penis-enlargement, questionable limericks, jokes, graffiti and a photo of a "penis latte," along with personal anecdote and probes of books and films, Deep Too is a book of non-fiction stories. It is a funny and sometimes biting book about the phenomenon of male strut and competition. Thinking with feeling, the author posits an expansive masculinity that rises above stereotype, traditional roles and the either/or choices they so often involve.
Contributor Notes
STAN DRAGLAND is originally from Alberta and now lives in St. John’s, Newfoundland. He was educated at The University of Alberta and Queen’s University and is Professor Emeritus, Department of English, The University of Western Ontario. He was founder of Brick Magazine and Brick Books, and is still active with the latter. Among his books are Wilson MacDonald’s Western Tour, Peckertracks (novel), Journeys Through Bookland and Other Passages (fiction and non-fiction), The Bees of the Invisible: Essays in English Canadian Writing, Floating Voice: Duncan Campbell Scott and the Literature of Treaty 9 (criticism), Apocrypha: Further Journeys (non-fiction), and The Drowned Lands (novel).
Editorial Reviews
"What appeals about this small essay/memoir, as in much of Dragland's critical work, is in how he doesn't provide over-answers, but a series of directions, slipping-answers, queries and other observations." —rob mclennan
"What appeals about this small essay/memoir, as in much of Dragland's critical work, is in how he doesn't provide over-answers, but a series of directions, slipping-answers, queries and other observations." —rob mclennan
"In Deep Too, Stan Dragland takes a long, hard look at the penis joke. To the work of illuminating pain, he puts his enormous heart and brilliant mind, his ever-ready wit, and a lambent prose that truly glows from within." —Marina Endicott, author of The Little Shadows
"What appeals about this small essay/memoir, as in much of Dragland's critical work, is in how he doesn't provide over-answers, but a series of directions, slipping-answers, queries and other observations." —rob mclennan
