Here is the best of Bill Gaston's stories since the publication of his Giller Prize nominated collection, Mount Appetite (2002). In this extraordinary work, Gaston crafts his fiction around the idea of the gargoyle -- the concrete representation of extremes of human emotions.
In Gaston's marvellous, riotous, Rabelaisian world, Gargoyles are physical manifestations of the disfigurements and contortions to which we human beings subject ourselves. Indeed, as Gaston wrote each story, he sketched out a distinct gargoyle to look down over it. For that reason, each story in this collection has a strange and unique guardian spirit whose sometimes benevolent, and sometimes malevolent, presence informs the characters and their actions. Gargoyles shows one of our best writers at the top of his form.
...vivid, unpredictable, and fascinating.
[A] compelling and highly original collection.
Every word...is precise and perfect. He layers so much in 15 pages that, once you've finished a story, you feel as if you've absorbed a novels worth of thoughts and images.
As always, Gaston's social consciousness is leavened by humour - sometimes gut splitting, often wry, never dull. Close reading and re-reading reward: what eludes in dark water emerges bright and new.
Whether his characters are twelve-year-old boys or eighty-year-old women, he gets into their skin and pulls us along with him. It is this looking-out from the eyes of someone else that is among Gaston's greatest accomplishments as a storyteller....Besides creating believable characters, Gaston is astonishingly fast at establishing the world each story is set in--an important skill considering how different each story's world is.
Funny, distressing, scary, deeply human.
...Gargoyles is an example of what short stories can and should achieve: a resilient compactness of prose that rely on nebulous but defined parameters for impact.
Canada has produced few writers as astonishingly original as Bill Gaston...Gargoyles never fails to entertain, enlighten and dazzle.