Ella Soper is a lecturer in the Department of English and Drama at the University of Toronto Mississauga, in the Department of English at University of Toronto Scarborough, and in the Faculty of Environmental Studies at York University.
Ella Soper is a lecturer in the Department of English and Drama at the University of Toronto Mississauga, in the Department of English at University of Toronto Scarborough, and in the Faculty of Environmental Studies at York University.
Northrop Frye (1912-1991) was Canada’s leading literary critic and one of the world’s leading theorists of society and the imagination. Among his twenty-three books, and more than three hundred articles and reviews, are classic studies such as Fearful Symmetry, Anatomy of Criticism, The Great Code, and Words With Power.
ROSEMARY SULLIVAN, the author of fifteen books, is best known for her recent biography Stalin’s Daughter. Published in twenty-three countries, it won the Biographers International Organization Plutarch Award and was a finalist for the PEN /Bograd Weld Award for Biography and the National Books Critics Circle Award. Her book Villa Air-Bel was awarded the Canadian Society for Yad Vashem Award in Holocaust History. She is a professor emeritus at the university of Toronto and has lectured in Canada, the U.S., Europe, India, and Latin America.
ROSEMARY SULLIVAN, the author of fifteen books, is best known for her recent biography Stalin’s Daughter. Published in twenty-three countries, it won the Biographers International Organization Plutarch Award and was a finalist for the PEN /Bograd Weld Award for Biography and the National Books Critics Circle Award. Her book Villa Air-Bel was awarded the Canadian Society for Yad Vashem Award in Holocaust History. She is a professor emeritus at the university of Toronto and has lectured in Canada, the U.S., Europe, India, and Latin America.
ROSEMARY SULLIVAN, the author of fifteen books, is best known for her recent biography Stalin’s Daughter. Published in twenty-three countries, it won the Biographers International Organization Plutarch Award and was a finalist for the PEN /Bograd Weld Award for Biography and the National Books Critics Circle Award. Her book Villa Air-Bel was awarded the Canadian Society for Yad Vashem Award in Holocaust History. She is a professor emeritus at the university of Toronto and has lectured in Canada, the U.S., Europe, India, and Latin America.
ROSEMARY SULLIVAN, the author of fifteen books, is best known for her recent biography Stalin’s Daughter. Published in twenty-three countries, it won the Biographers International Organization Plutarch Award and was a finalist for the PEN /Bograd Weld Award for Biography and the National Books Critics Circle Award. Her book Villa Air-Bel was awarded the Canadian Society for Yad Vashem Award in Holocaust History. She is a professor emeritus at the university of Toronto and has lectured in Canada, the U.S., Europe, India, and Latin America.
ROSEMARY SULLIVAN, the author of fifteen books, is best known for her recent biography Stalin’s Daughter. Published in twenty-three countries, it won the Biographers International Organization Plutarch Award and was a finalist for the PEN /Bograd Weld Award for Biography and the National Books Critics Circle Award. Her book Villa Air-Bel was awarded the Canadian Society for Yad Vashem Award in Holocaust History. She is a professor emeritus at the university of Toronto and has lectured in Canada, the U.S., Europe, India, and Latin America.
Nicholas Bradley is an associate professor in the Department of English at the University of Victoria. He is the editor of We Go Far Back in Time: The Letters of Earle Birney and Al Purdy, 1947–1987 (2014) and An Echo in the Mountains: Al Purdy after a Century (2020), and the author of Rain Shadow (2018). He is also an associate editor of the journal Canadian Literature.
Jenny Kerber teaches in the areas of Canadian and American literature, literary theory, and environmental criticism in the Department of English at the University of Toronto. Her essays on Canadian literary and environmental topics have appeared in Canadian Poetry, Canadian Literature, Essays on Canadian Writing, and Green Letters. This is her first book.
Jenny Kerber teaches in the areas of Canadian and American literature, literary theory, and environmental criticism in the Department of English at the University of Toronto. Her essays on Canadian literary and environmental topics have appeared in Canadian Poetry, Canadian Literature, Essays on Canadian Writing, and Green Letters. This is her first book.
Jenny Kerber teaches in the areas of Canadian and American literature, literary theory, and environmental criticism in the Department of English at the University of Toronto. Her essays on Canadian literary and environmental topics have appeared in Canadian Poetry, Canadian Literature, Essays on Canadian Writing, and Green Letters. This is her first book.
Jenny Kerber teaches in the areas of Canadian and American literature, literary theory, and environmental criticism in the Department of English at the University of Toronto. Her essays on Canadian literary and environmental topics have appeared in Canadian Poetry, Canadian Literature, Essays on Canadian Writing, and Green Letters. This is her first book.
Jenny Kerber teaches in the areas of Canadian and American literature, literary theory, and environmental criticism in the Department of English at the University of Toronto. Her essays on Canadian literary and environmental topics have appeared in Canadian Poetry, Canadian Literature, Essays on Canadian Writing, and Green Letters. This is her first book.
Rita Wong is a writer, teacher, and waterkeeper. She is the author of three books of poetry and the co-author of several collaborative works, most recently, beholden: a poem as long as the river (2018), with the poet Fred Wah. With Dorothy Christian (Secwepemc and Syilx Nations), Wong edited downstream: reimagining water (WLU Press, 2017). She is an associate professor of Critical + Cultural Studies at Emily Carr University of Art + Design, where she teaches classes in the humanities and creative writing.
Rita Wong is a writer, teacher, and waterkeeper. She is the author of three books of poetry and the co-author of several collaborative works, most recently, beholden: a poem as long as the river (2018), with the poet Fred Wah. With Dorothy Christian (Secwepemc and Syilx Nations), Wong edited downstream: reimagining water (WLU Press, 2017). She is an associate professor of Critical + Cultural Studies at Emily Carr University of Art + Design, where she teaches classes in the humanities and creative writing.
Rita Wong is a writer, teacher, and waterkeeper. She is the author of three books of poetry and the co-author of several collaborative works, most recently, beholden: a poem as long as the river (2018), with the poet Fred Wah. With Dorothy Christian (Secwepemc and Syilx Nations), Wong edited downstream: reimagining water (WLU Press, 2017). She is an associate professor of Critical + Cultural Studies at Emily Carr University of Art + Design, where she teaches classes in the humanities and creative writing.
Rita Wong is a writer, teacher, and waterkeeper. She is the author of three books of poetry and the co-author of several collaborative works, most recently, beholden: a poem as long as the river (2018), with the poet Fred Wah. With Dorothy Christian (Secwepemc and Syilx Nations), Wong edited downstream: reimagining water (WLU Press, 2017). She is an associate professor of Critical + Cultural Studies at Emily Carr University of Art + Design, where she teaches classes in the humanities and creative writing.
Adam Dickinson's poetry has appeared in literary journals and anthologies in Canada and internationally. He has published three books of poetry. His most recent book, The Polymers, was a finalist for the Governor General's Award for Poetry, the Trillium Book Award for Poetry, and the ReLit Award. His work has been translated into Chinese, Dutch, and Polish. He has been featured at international literary festivals such as Poetry International in Rotterdam, Netherlands, and the Oslo International Poetry Festival in Norway. He currently lives in St. Catherines, Ontario, where he teaches poetics and creative writing at Brock University.
Travis V. Mason teaches ecocriticism and postcolonial and Canadian literatures. He received both a Mellon and Killam Postdoctoral Fellowship. He is the author of Ornithologies of Desire: Ecocritical Essays, Avian Poetics, and Don McKay (WLU Press, 2013).
Travis V. Mason teaches ecocriticism and postcolonial and Canadian literatures. He received both a Mellon and Killam Postdoctoral Fellowship. He is the author of Ornithologies of Desire: Ecocritical Essays, Avian Poetics, and Don McKay (WLU Press, 2013).
D.M.R. Bentley is a Distinguished University Professor and the Carl F. Klinck Professor in Canadian Literature at the University of Western Ontario and has published widely in the field of Victorian literature. Among his publications are editions of Charles G.D. Roberts’s Canadian Poetry in Its Relation to the Poetry of England and America, Bliss Carman’s Letters to Margaret Lawrence 1927–1929 and The Confederation Group of Canadian Poets, 1880–1897, an authoritative study of Canada’s first school of poets. Bentley wrote the introduction to An English Canadian Poetics.
Sherrill E. Grace is professor of English, University of British Columbia, and the author of Inventing Tom Thomson.
Margaret Atwood is known internationally for her award-winning novels, poetry, and short stories. She was born in Ottawa in 1939, and spent much of her childhood in northern Ontario and Quebec. She has lived, studied, and worked in Toronto, Montreal, Edmonton, Vancouver, Alliston, and Boston, as well as England, Scotland, Ireland, France, Italy, and Germany.
Nelson Gray is a playwright, poet, director, theatre scholar, and a professor in the English Department at Vancouver Island University. His writings for the stage have won numerous commissions and awards and have been produced in Canada, the U.S., England, and Germany. He was the co-founder, with Beth Carruthers, of the Songbird Project – one of the first eco-art projects in Canada to bring together the arts, sciences, and community activists – and his poetry and scholarly articles have appeared in several journals and anthologies. With the assistance of a Canada Council Award and a SHHRC Insight Development Grant, he is currently working on the libretto and pre-production for Here Oceans Roar, an eco-opera and film script based on his experiences as a salmon troller in the Pacific Northwest, which incorporates oceanographic research from Ocean Networks Canada.
