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list price: $95.00
edition:eBook
also available: Paperback Hardcover
category: Political Science
published: Oct 1999
ISBN:9780773567269
publisher: McGill-Queen's University Press
imprint: MQUP

Harold Innis in the New Century

Reflections and Refractions

by Charles R. Acland & William J. Buxton

tagged: essays
Description

The book is divided into three sections: "Reflections on Innis" provides a historical reassessment of Innis, "Gaps and Silences" considers the limitations of both Innis's thought and his interpreters, and "Innis and Cultural Theory" offers speculations on his influence on cultural analysis. The interpretations offered reflect the changing landscape of intellectual life as boundaries between traditional disciplines blur and new interdisciplinary fields emerge.

Harold Innis in the New Century is a valuable resource for scholars and students of Canadian studies, communication studies, cultural studies, economic history, and political science.

Contributors include Charles R. Acland (Calgary), Alison Beale (Simon Fraser), Jody Berland (York), James Bickerton (St Francis Xavier), William J. Buxton (Concordia), James Carey (Columbia), Ray Charron (Concordia), Cheryl Dahl (University College of the Fraser Valley), Michael Dorland (Carleton), Kevin Dowler (York), Donald Fisher (UBC), Sarah Fortin (McGill), Alain-G. Gagnon (McGill), Jane Jenson (Montréal), Heather Menzies (Carleton), Richard Noble (Winnipeg), Daniel Salée (Concordia), Liora Salter (Osgoode Hall), Kim Sawchuk (Concordia), Irene Spry (professor emerita, Ottawa), Judith Stamps (Victoria), and Andrew Werwick (Trent).

About the Authors

Charles R. Acland


William J. Buxton is professor emeritus of communication studies at Concordia University, visiting professor at Laval University, co-editor of Harold Innis in the New Century: Reflections and Refractions, and editor of Harold Innis and the North: Appraisals and Contestations.
Editorial Review

"Harold Innis in the New Century crackles with interdisciplinary tensions in a very stimulating way, and almost every piece in the collection has an eye on a context for Innis's ideas that is in some way a little different -- from the Whig tradition and the Scottish Enlightenment to cybernetics and aesthetics. The diversity is truly impressive. What other modern or 'amodern' or 'antimodern' author could generate such diverse yet consistently engrossed responses from a generation of generally postmodern communications experts?" Doug Long, Department of Political Science, University of Western Ontario

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