New ebooks From Canadian Indies
Description
WINNER OF THE 75th GOVERNOR GENERAL'S LITERARY AWARD FOR POETRY
WINNER OF THE 25th TRILLIUM BOOK PRIZE
WINNER OF AN ALCUIN AWARD FOR DESIGN
SHORTLISTED FOR THE GRIFFIN POETRY PRIZE
These are poems of critical thought that have been influenced by old fiddle tunes. These are essays that are not out to persuade so much as ruminate, invite, accrue.
Hall is a surruralist (rural & surreal), and a terroir-ist (township-specific regionalist). He offers memories of, and homages to -- Margaret Laurence, Bronwen Wallace, Libby Scheier, and Daniel Jones, among others. He writes of the embarrassing process of becoming a poet, and of his push-pull relationship with the whole concept of home. His notorious 2004 chapbook essay The Bad Sequence is also included here, for a wider readership, at last. It has been revised. (It's teeth have been sharpened.)
In this book, the line is the unit of composition; the reading is wide; the perspective personal: each take a give, and logic a drawback.
Language is not a smart-aleck; it's a sacred tinkerer.
Readers are invited to watch awe become a we.
In Fred Wah's phrase, what is offered here is "the music at the heart of thinking."
Awards
- Short-listed, Griffin Poetry Prize
- Winner, Trillium Book Award
- Winner, Governor General's Literary Award for Poetry
Editorial Reviews
“Killdeer is… a meditation on the poetic process that stimulates both the intellect and the imagination.” —The Toronto Star
“Hall is aware that he’s aligned with an aesthetic of past decades that may not be fashionable, but he seems determined to keep its spirit alive by understanding what it tells us about our aesthetic today. To him I would give an award for unabashedly keeping an authentic Canadian poetic voice alive.” —The Montreal Gazette
“Killdeer is a testament to the creative life as an act of faith and transformation.” —The Griffin Prize Judges' Citation
“Killdeer by Phil Hall realizes a masterly modulation of the elegiac through poetic time. It releases the personal from the often binding axis of the egoistic into that kind of humility that only a profound love of language—and of living—can achieve.” —Governor General's Literary Awards Judges' Citation
“Hall manages to rescue the lyrical essay from its recondite excesses and turn it into something that’s as adventurous as it is readable. Hall has called himself a ‘surruralist,’ and this book charts his development as a writer, but it also demonstrates and furthers that development.” —The Globe and Mail
“A sure, wondrous, profound pilgrimage of a book.”—Trillium Book Awards Jury
“These pieces are written with such honesty and empathy that it is impossible to read them and not tremble.” —Arc Poetry Magazine
“Encompassing the best of what folk art is meant to be, self-taught and working-class, as [Hall] carves poems from a collage of phrases, lines and stanzas, while still managing to produce a highly-crafted ‘high’ art.” —rob mclennan's blog
“A wonderfully provocative experience…”—The Bull Calf
