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list price: $9.99
edition:eBook
also available: Paperback
category: Fiction
published: Apr 2012
ISBN:9781894759946
publisher: Caitlin Press

Leaving Now

by Arleen Paré

tagged: literary, lesbian
Description

In Leaving Now Arleen Paré, winner of the 2008 Victoria Book Prize, weaves fable, prose and poetics to create a rich mosaic of conflicted motherhood. Set in the volatile 1970s and '80s, when social norms and expectations were changing rapidly, Leaving Now is the emotionally candid story of a mother's anguish as she leaves her husband to love a woman. In this second book, Paré masterfully blends aspects of her personal journey with her own version of a well-loved fairy tale. Gudru, the five-hundred-year-old mother of Hansel and Gretel, appears hazily in the narrator's kitchen—presumed dead, all but written out of her own tale, but very much alive. Gudrun spins a yarn of love, loss and leaving, offering comfort and wisdom to the conflicted young mother.

Raising children is not for the faint of heart; all parents know the anguish of parting from a child, even if for the briefest moment. Leaving Now is for mothers, fathers, sons and daughters. It is for anyone who has ever lived in a family.

About the Author
Arleen Paré is a Victoria writer. She has published five collections of poetry, two of which are cross-genre. She has been short-listed for the BC Book Prizes Dorothy Livesay Poetry Award, and has won a Golden Crown Award for Lesbian Poetry, the City of Victoria Butler Book Prize, and a Governor General’s Literary Award.
Editorial Review

Paré is a past winner of the Victoria Butler Book Prize, and it is easy to see why. She moves seamlessly between poetry and prose in the pages of Leaving Now, writing with an obvious respect for language. By making the choice to incorporate as much poetry into the novel as she does, Paré limits the actual number of words that makes up her story. There is a significant amount of white space in an already slim book, so it is especially important that the right words are in the right spaces. It’s a job Paré has done very well.

— Colin Holt

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