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list price: $16.95
edition:eBook
also available: Paperback
category: Fiction
published: Jun 2012
ISBN:9781770891968
publisher: House of Anansi Press Inc

Mai at the Predators' Ball

by Marie-Claire Blais, translated by Nigel Spencer

tagged: literary, visionary & metaphysical
Description

Winner of the Governor General's Literary Award: Translation. Shortlisted for the Cole Foundation Prize for Translation.

In Mai at the Predators' Ball, Marie-Claire Blais, literary legend and four-time winner of the Governor General's Literary Award for Fiction, offers a mesmerizing and unforgettable portrait of imaginary beings who seem to embrace the whole of humanity.

Every night in the Saloon, after darkness falls, a group of boys are transformed into creatures we see only in dreams. They adorn themselves in colourful dresses and wigs and they take to the stage to sing and dance. They open their arms to those who are excluded -- both men and women, triumphant and threatened, both free and bound -- and every evening is a carnival of freedom and transgression.

With this masterful novel, Blais invites us to share the drama of perfect joy, the tragedy of happiness, and she gives us her best work yet.

About the Authors

Marie-Claire Blais was a giant of the French literary scene and a queer icon. She authored over thirty books which won her the Médicis Prize, the W.O. Mitchell Literary Prize, four Governor General’s Literary Awards, and two Guggenheim Fellowships. Born in Québec City, she spent much of her life in Key West, Florida, where she died in 2021.


Nigel Spencer is a writer, translator, and professor of English living in Montréal, Quebec, Canada. He has won the Canadian Governor General’s Literary Award for translation on three occasions, in 2002, 2007, and 2012 and was awarded a Proclamation of Recognition by the Republic of Guinea.

Awards
  • Short-listed, Cole Foundation Prize for Translation
  • Winner, Governor General's Literary Award: Translation
Editorial Reviews

... [a]hallucinatory and poetic story, ripe for underlining and rereading ... Mai at the Predator’s Ball will reward you.

— Globe and Mail

Spencer admirably captures what one might call the 'breath' of Blais’ prose, although this is a somewhat misleading term, since, unlike the oral style of Joyce’s paradigmatic Finnegans Wake, Blais’ narration, exploiting the French tradition of the segmented sentence, is very much a written form. This difference in language and literary tradition presents the translator with a serious challenge, which Spencer has met with wonderful skill.

— Cole Foundation Prize for Translation

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