With this astounding fourth novel in her ongoing series of contemporary masterpieces (These Festive Nights, Thunder and Light, Augustino and the Choir of Destruction, and Rebecca, Born in the Maelstrom), Marie-Claire Blais invites us again to enter a complex circle of unforgettable characters. But this time, the tone is different: Blais' writing has acquired a new, buoyant, electrifying rhythm -- a rhythm some critics have described as the heartbeat of the world.
As we follow a central character named Rebecca, the voice in the novel becomes the voice of the world inventing itself, and the future playing itself out. As the GG jury wrote, this breathtaking paroxysm of a novel turns any commonly held vision of the world upside down. Blais' transcendent prose illuminates her characters with an extraordinary light.
Nigel Spencer is Marie-Claire Blais' long-time translator and a Governor General's Award winner for his work on this series of books. He gives us Blais' singular vision in supple English prose that is as transcendent and nuanced as the original French.
...the experience is the only goal; the journey, the reward...a coherent vision of the world.
...brimming with tenderness for humanity and an almost religious elevation...
There is pleasure in the rhythm and poetry of the language...this novel keeps company with James Joyce's Ulysses and Virginia Woolf's The Waves or Mrs. Dalloway.
There is only one way to read the latter novels of Marie-Claire Blais. Slowly. One word, one phrase at a time, and then the next....Once it all starts to make sense, you feel utterly grateful and deeply connected, in tune with humanity, mesmerized, ready to go on and on.