New ebooks From Canadian Indies
Description
Reissued in a handsome A List edition, the largest collection of critical prose to date from world renowned author and poet Margaret Atwood, featuring an introduction by Lennie Goodings.
Originally published in 1982, Second Words brings together fifty of Margaret Atwood’s finest essays and reviews spanning two decades, beginning in 1962, with an introduction and commentary by the author.
With her incomparable wit and originality, Atwood discusses the process of writing and the literary life, with insightful looks at the work of such figures as Erica Jong, E. L. Doctorow, Northrop Frye, Roch Carrier, Marie-Claire Blais, Gwendolyn MacEwen, Marge Piercy, Adrienne Rich, Sylvia Plath, and many more. In several pieces, we see the development of her ideas on Canadian identity and the American dream, as well as her controversial attitudes toward feminism, sexism, and the strange mythologies imposed on men and women in contemporary North America.
Second Words remains the largest collection of Atwood’s critical prose to date.
Editorial Reviews
Second Words establishes critical patterns through which a provocative, original mind interprets the world. Thus it helps us to reassess all her work.
— Christian Science Monitor
Second Words is an invaluable guide to understanding Atwood’s choice of themes, her basic principles, and the development of her work (and world view) . . . [The book] traces the development of one of the most important ‘political artists’ writing today, one whose future work promises to be even more challenging and dangerous.
— Books in Canada
What comes across mostly is [Atwood’s] critical generosity and her understanding that the art of writing inevitably turns the writer into a global politician; every novel offers a vision of the world. Through thick and thin, Atwood has been a passionate literary citizen.
— Maclean's
Certainly we want to know what one of our major writers feels about literature and people . . . And though she is . . . relaxed and conversational in these occasional pieces . . . there are so many good words, so much intelligence, that the garden-variety reviewer seethes with envy.
— Toronto Star
