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also available: Paperback
category: Poetry
published: Feb 2010
ISBN:9781554587377
publisher: Wilfrid Laurier University Press

The Crisp Day Closing on My Hand

The Poetry of M. Travis Lane

by M. Travis Lane, edited by Jeanette Lynes

tagged: canadian, literary
Description

The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of “home” in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane’s poems exhibit impressive range and variety—long poems, short lyrics, serial poems, poems inspired by visual art—and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with respect to ecological crises and war; her poetic attention fixes unwaveringly on the smallest pebble on the coast of Fundy but is equally attuned to global patterns of destructive domination.
In her introduction “As Opportunity for Grace, This Life May Serve”, editor Jeanette Lynes discusses how Lane’s poetry integrates an ecopoetic vision with explorations of the artist’s task of mapping her world. Lane’s afterword reinforces her sense of the poet’s project as a form of mystical play, a search for patterns in the “unified disunities” of all things.

About the Authors

M. Travis Lane is Honorary President of the Writers’ Federation of New Brunswick and a Life Member of the League of Canadian Poets. She has published eleven books of poetry (including the forthcoming The Safety Net) and received numerous awards, including the Bliss Carman Poetry Prize, the Atlantic Poetry Prize, the Pat Lowther Memorial Award, and the Alden Nowlan Award for Excellence in English Language Literary Arts.


JEANETTE LYNES is the author of the bestselling novel The Apothecary’s Garden, a finalist for a High Plains Book Award and two Saskatchewan Book Awards. Her second novel, The Small Things That End the World, won the 2019 Fiction Prize at the Saskatchewan Book Awards. Her first novel, The Factory Voice, was longlisted for the Scotiabank Giller Prize and a ReLit Award. She has also written seven books of poetry. Her forthcoming non-fiction book Apron Apocalypse: Lyric Essays received the John V. Hicks Long Manuscript Award. A settler, Jeanette Lynes grew up on the traditional territory of the People of the Three Fires: the Ojibway, Odawa, and Potawatomi Nations of Anishinabek peoples. Since 2011 she has directed the MFA in Writing at the University of Saskatchewan on Treaty 6 Territory and the Homeland of the Métis. The Paper Birds is her fourth novel.

 

 

Contributor Notes

M. Travis Lane is Honorary President of the Writers’ Federation of New Brunswick and a Life Member of the League of Canadian Poets. She has published eleven books of poetry (including the forthcoming The Safety Net) and received numerous awards, including the Bliss Carman Poetry Prize, the Atlantic Poetry Prize, the Pat Lowther Memorial Award, and the Alden Nowlan Award for Excellence in English Language Literary Arts.
| Jeanette Lynes is an associate professor of English at St. Francis Xavier University and co-editor of The Antigonish Review. She is the author of three collections of poetry; her fourth poetry book and a novel are forthcoming in 2008.

Editorial Reviews

Excellently selected and edited by Jeanette Lynes for the Laurier Poetry Series, this tidy text renders Lane's oeuvre accessible to new readers.

— Kit Dobson, The Dalhousie Review, 2009 June

The aspect I admire most about this selection is the sheer range of Lane's imagination.... Wisdom is found in abundance in this collection.... There are two quotations from the afterword that sum up for me the experience of reading M. Travis Lane. 'Mystery, I think, is the cheif subject of poetry' (77) and 'a poem is not a message, but a sharing' (79). There is a seeking spirit moving through these poems, and readers will be grateful for what it shares.

— Ian LeTourneau, PoetryReviews, September 2009, 2011 April

[A]s someone who only discovered Lane's work with Temporary Shelter in 1993, I appreciate the opportunity to read earlier poems and to glimpse the chronological evoluation of her craft.... Even though this book is aimed at students as well as general readers, with its useful introduction and generous Afterword, in which we meet the poet stepping outside her craft to say what is and has been important to her, the beating heart of it is of course in the poems themselves.

— Barbara Myers, ARC Poetry Magazine, 60, Summer 2008, 2008 August

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