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list price: $24.00
edition:Paperback
also available: eBook
category: Fiction
published: May 2013
ISBN:9781927040652
publisher: Book*hug Press

The Red Album

by Stephen Collis

tagged: biographical, hispanic & latino, historical
Description

In the tradition of Borges, Nabakov, and Bolaño, The Red Album is a work of fiction that questions historical authenticity and authority. Divided into two parts, the book begins with an edited and footnoted narrative of dubious origins. In the second part, a section of "documents" (including essays, memoirs, a short play and a filmography) shed light on the first narrative. Familiar characters are revealed to be writers, and the writer and editors of the initial narrative are revealed to be characters. As the ghosts of social revolutions of the past are lifted from the soil in Catalonia, and a new revolution unfolds in South America, the number of mysteriously missing author/characters grows almost as fast as new author/ characters emerge and complicate and scatter the threads of the story.

About the Author
Stephen Collis is the author of over a dozen books of poetry and prose, including The Commons (2008), On the Material (2010), winner of the BC Book Prize, and Almost Islands: Phyllis Webb and the Pursuit of the Unwritten (2018) – all published by Talonbooks. A History of the Theories of Rain (2021) was a finalist for the Governor General’s Literary Award for Poetry, and in 2019 Collis was the recipient of the Writers' Trust of Canada Latner Poetry Prize. The Middle is the second volume of a trilogy begun with A History of the Theories of Rain. He lives near Vancouver, on unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University.
Editorial Review

"In The Red Album, the scene of Spain and the fragile legacy of a poet occasion a series of astonishing entries into the archives and affects of revolution. Stephen Collis turns sharply away from “the department of historical memory,” exploring, instead, those alternative theatres of language and social struggle within which the past may be recovered and critically animated. This is a moving and also a challenging book, precisely because it confronts this enduring imperative: “We must see again what ways we can be together.”
– David Chariandy

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